Wake Unto Me
By Lisa Cach
Coming March 31, 2011
From Penguin Books
ISBN-10: 0142414360
Caitlyn Monahan knows she belongs somewhere else. It’s what her dead mother’s note suggested, and it’s what her recurring nightmares allude to. Desperate to flee these terrifying dreams—and her small town—she accepts a spot at a boarding school in France. Only, when she arrives, her nightmares get worse.
But then there are her amazing dreams, so vivid and so real, with visits from an alluring, mysterious, and gorgeous Italian boy from the 1500s. Caitlyn knows they are soul mates, but how can she be in love with someone who exists only in her dreams?
Then, as her reality and dream world collide, Caitlyn searches for the real reason why she was brought to this school. And what she discovers will change her life forever.
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On Book Cover Art
People often ask me if I get any say about the cover art for my books. Sure I do! But does anything I say end up on the cover? Rarely, which may be for the best. Here’s the story of the cover to Wake Unto Me.
My editor asked me, “Can you tell me any sort of ‘icons’ that will be in the book? If you can let me know of a few themes/images that you think of when writing the book, we can work with those to come up with a design.”
In response, I said and sent this:
“This is the portrait that was my inspiration for the de’ Medici woman burned as a witch, whose portrait hangs in the office of the headmistress:
The castle in which the school is housed will play a major role in the story:
Chateau de Beynac, photo by Luc Viatour(Left)
Perhaps something with tarot cards? The Wheel of Fortune card is important:
“
Wheel of Fortune” from the Rider-Waite tarot deck (Right)
I also said:
“The heroine has long, straight black hair and pale skin. Themes I think of are sisterhood, ancient feminine powers, alienation, longing. Longing to escape one’s origins, longing for love, longing for a sense of one’s own identity. A lot of the heroine’s experiences take place at night, so darkness, mist, and moonlight are good.”
And I also sent this because I thought it was spooky:
Detail of “Lady MacBeth” by Henry Fuseli (Right)
And this because I love Art Nouveau:
Many months later, my editor sent me the concept art that they’d come up with:
Of course, it looks nothing like any images I sent them, except maybe the smoky/ghosty bit is reminiscent of the Fuseli painting. It does capture ‘longing, mist, darkness,’ though.
The heroine’s hair is the wrong color, but oh well; you wouldn’t have been able to see black hair on a black background. Despite that, I loved the concept. My editor promised me that it would be ‘finessed’ – which I took to mean they’d fix it so the heroine didn’t look like she was wearing a big nasty wig.
The next version of the cover I saw was supposed to be the final version, the version that would appear in stores. I had two issues with it, the first of which had to do with her hands:
Can you see the problem?
Her hands are on the wrong arms!!!!
My other problem was that the heroine is obviously naked. Given that this is a YA novel, it seemed a wee bit too sexy.
They reattached the hands to the correct arms, and put a tiny little black tank top on the heroine, and here’s the final version:
And that’s the story – from the author’s point of view, at least! – of how the cover to Wake Unto Me was created.
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Lisa's Bio: Lisa Cach is the award-winning author of more than twenty romantic novels and novellas, ranging across sub-genres from Paranormal, Historical, Contemporary, and Chick Lit, to Young Adult. Her novel “Dating Without Novocaine” was named one of Waldenbooks’ “Best Books of 2002,” and she is a two-time finalist for the prestigious RITA Award from the Romance Writers of America.
Lisa Cach was born and raised in the Pacific Northwest, where she still lives today. Her professional background includes teaching conversational English in Japan, and several years working the graveyard shift on a mental health crisis line. She has traveled to the foothills of the Himalaya, the jungles of Borneo, the Carpathian Mountains of Romania, and the painted caves of the Perigord Noir, in France. She has sailed the Caribbean as a working crew member of a research schooner, and the Bering Sea as a guest on a small ship.
“This is the portrait that was my inspiration for the de’ Medici woman burned as a witch, whose portrait hangs in the office of the headmistress: 
And this because I love Art Nouveau: 
